A useless american blog. By Multicultural Friends: Rusty Barcelo, Peanut Butter Honey, Phil aka Armani Marley aka Change Clothes and Go aka CCG aka Dexter aka December to Remember, and the legend of Skip Flanagan.
Monday, August 3, 2009
Interview
from GQ:
In It Might Get Loud creativity is portrayed as a reaction against one's surroundings. Jack, when you were growing up in Detroit you didn't exactly fit in? White: I grew up in a rough neighborhood. I went to an all-Mexican grade school and an all-Black high school. I'd find a couple people here and there that liked the same music as me for a minute, but it was tough to feel supported. People would make a wrinkled up face when I would mention different things I was interested in. Even music teachers. It's not like I went to high school in the 50's. I went to high school in the 90's, you know? But that still happens. I was not encouraged musically at all. I was discouraged. It can leave a bad taste in your mouth.
You say in the film that when you don't have anything to react against, you make it up. White: Oh yeah. I don't like making my job easier. How are you accomplishing anything if there's no struggle? If I have to create a struggle that doesn't exist, I'll do that. Time and money constraints are a great way to do it. Or if you're in the studio, record on four tracks instead of twenty-four. Onstage it's like, I don't know the lyrics to half this song, but I'm not going to write 'em down. When you finish playng the song you almost wish you could tell people, "You know, I sang half of that off the top of my head." You can't, of course, but I think they can smell it.
Jack, is it hard to step out of the spotlight to sit behind the drums in your new band, the Dead Weather? White: Whether it's the Raconteurs, the Dead Weather, or whatever, I have to find a zone that makes sense to me and, more importantly, that makes sense to the music. There are a lot of traps: Star power, celebrity, and showmanship can all do a disservice to the songs. But I tend to be that guy, you know? When me and four friends walk into a restaurant and nobody else talks to the host, I say, "Yeah, it's a table for five." I don't want to be that guy; I wish someone else would say something. But it always ends up being me, and I hate what comes with that. There's a lot of baggage-ego and narcissism-that comes with leadership. It's difficult to cope with at times.
What's the worst thing about being a guitar player? White: It's like a scarlet letter, you know? If I was playing bingo or drinking a cup of coffee next to someone who's 75 years old and they asked me what I do I wouldn't tell them I'm a guitar player. I'd be ashamed.
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